Annotations is a series of artist commissions for Drawing Room’s Outset Study. Including 6 artists over a 3 year period, each artist will undertake a period of supported residency, researching the library collection to create a work for Outset Study – using the wall, the space, or intervening with the library collection itself.
Annotations has been conceived to enable selected artists to develop their practice through research, experimentation and risk taking. The selected artists will help to grow and disseminate Outset Study resources by sharing the research and new ideas that their time in residence generates. Annotations follows on from the artist commission The Rules of the Library, 2013 by Peter Liversidge.
Annotations Outset Study Commissions are supported by Veronique Parke and Outset Contemporary Art Fund.
The work of contemporary artist Yu-Chen Wang asks fundamental questions about human identity at a key point in history, where eco-systems and techno-systems have become inextricably intertwined. At the same time, Yu-Chen’s Taiwanese origins, combined with a London-based career, have created a vision that is personal and autobiographical.
Yu-Chen Wang’s newly commissioned work for Outset Study at Drawing Room combines discoveries from a recent visit to the remote Taiwanese Pacific Island of Lanyu (literally translated Orchid Island) with her experience of open-ended reading sessions in Outset Study.
The culmination of an intense period of travel and work, these two experiences have enabled the artist to re-engage with her creative process. The resulting work draws a parallel between these two distant and disparate places, which occupy a kindred place in the artist’s mind. It seeks to understand such spaces of isolation and meditation, pondering their idiosyncratic systems and obsolete technologies, out of step with the current pace of life, and ultimately probe their generative and regenerative potential.
Exhibition date: August 2016 – January 2017