‘Linear time is a western invention; time is not linear, it is a marvellous entanglement, where at any moment points can be chosen and solutions invented without beginning or end.’ – Lina Bo Bardi (1914–1992)
Isaac Julien’s nine-screen installation, premiering at Victoria Miro, traverses a collection of Lina Bo Bardi’s most iconic buildings, offering a meditation on the iconic work and on the legacy of the visionary modernist architect and designer.
Having filmed on location in São Paulo Museum of Art (MASP), SESC Pompéia and in the Teatro Oficina, Julien proposes an open-ended reflection on Lina Bo Bardi’s architecture and her approach to Brazilian culture. These three buildings, widely regarded as landmarks of Brazilian modernism, stand as representative of Lina Bo Bardi’s groundbreaking ideas. Travelling further north, the work also encounters Bo Bardi’s buildings in Salvador: the Museum of Modern Art, Bahia; the Coaty Restaurant and the Gergório de Matos theatre.
Starring the acclaimed Brazilian actresses Fernanda Montenegro and her daughter Fernanda Torres (as seen above), A Marvellous Entanglement portrays Bo Bardi at different stages of her life, as Montenegro and Torres recite texts closely adapted from the architect’s writings.
Julien has created a nine-screen film installation – part homage, part poetic journey – that orbits Bo Bardi’s life and work. It features artists, and personal acquaintances of Bo Bardi’s, such as actor, director, playwright and co-founder of São Paulo’s Teatro Oficina, José Celso Martinez Corrêa (known as Zé Celso).
Inspired by both official and anecdotal stories about Bo Bardi’s life and work, the film is shot across seven buildings designed by the architect; four in Salvador in Brazil’s northeast region of Bahia, three in São Paulo. Each becomes a locus for a performance, intervention, enactment or reinvention of scenes that have shaped the history of, and the legends around, her architecture. Full of visual echoes and alliterations, the film focuses on key structural elements of Bo Bardi’s designs: staircases, windows and walls opening on to cityscapes, nature or the sea; details of construction; public spaces designed for social interaction. It also reveals the perilous condition of many of Bo Bardi’s masterworks, especially those in Salvador, and the pressing need for their conservation. In a country where a fragile democracy tries to survive after a dictatorship that lasted 21 years, Julien looks at Bo Bardi as a character whose voice can still shed light on issues that are as pertinent today as they were during her lifetime.
Following the conceptual thread which led to artistic investigations around portrait making such as Ten Thousand Waves, 2010, or the more recent Lessons of the Hour, 2019, Lina Bo Bardi – A Marvellous Entanglement looks at historical reparation through visual poetry, moved by the breadth and poetry of Bo Bardi’s work, and a profound belief that her legacy has yet to be fully acknowledged.
About Isaac Julien: Born in 1960, Isaac Julien lives and works in London. Solo exhibitions of his work have been held at institutional venues including ARoS Aarhus Kunstmuseum, Denmark (2018), The Whitworth, Manchester (2018), The Royal Ontario Museum, Toronto (2017), MAC Niterói, Rio de Janeiro, Brazil (2016), MUAC (Museo Universitario Arte Contemporáneo), Mexico City (2016); the De Pont Museum, Netherlands (2015); Museum of Modern Art, New York (2013), Art Institute of Chicago (2013), Museum of Contemporary Art, San Diego (2012), Nasjonalmuseet, Oslo (2012), Bass Museum, Miami, Florida, USA (2010), Museum Brandhorst, Munich (2009), Museu Nacional de Arte Contemporânea – Museu do Chiado, Lisbon, Portugal (2008), Kestnergesellschaft Hanover (2006), Pompidou Centre Paris (2005), and MoCA Miami (2005). He has exhibited at biennials including the 56th International Exhibition of Contemporary Art – La Biennale de Venezia (2015), Johannesburg Biennale (2012), Moscow Biennale of Contemporary Art (2011), Shanghai Biennale (2010). Julien was the recipient of The Royal Academy of Arts Charles Wollaston Award 2017. He was appointed a Commander of the Order of the British Empire (CBE) for services to the Arts in the Queen’s Birthday 2017 Honours List. In 2019, Isaac Julien was appointed to the faculty of the University of California, Santa Cruz. Julien and independent curator and writer Mark Nash, the former head of contemporary art at the Royal College of Art in London, will work together on developing the Isaac Julien Lab at the UC Santa Cruz campus, which will provide students with the opportunity to assist Julien and Nash with project research and the production of moving-image and photographic works in California and London.